{"id":554,"date":"2013-11-13T17:31:47","date_gmt":"2013-11-13T17:31:47","guid":{"rendered":"http:\/\/blogs.sd41.bc.ca\/moscrop-french\/?p=554"},"modified":"2013-11-13T17:31:47","modified_gmt":"2013-11-13T17:31:47","slug":"theatre","status":"publish","type":"post","link":"https:\/\/blogs.sd41.bc.ca\/moscrop-french\/2013\/11\/13\/theatre\/","title":{"rendered":"Theatre"},"content":{"rendered":"

\"dragonfly-show\"<\/p>\n

\u00c9tienne Pilon, Dany Boudreault, Patrice Dubois and Mani Soleymanlou \u00a9 Danny Taillon<\/p>\n

The most audacious element is having given five actors, five bodies, and five voices, the story of the wounded hero. Abrasive, efficient, this audacious production fleshes out the different aspects of the main character, his changing states, and the conflicts that move him this way and that.<\/p>\n

\n

\u2014 \u00a0 Voir, Montr\u00e9al<\/cite><\/p>\n<\/div>\n

From January 22 to 25, 2014<\/strong>
\nGoldcorp Centre for the arts \u2013 8 pm<\/strong>
\nMeet the artists Thursday, January 23<\/strong> <\/p>\n

Gaston Talbot tells us from the beginning: \u201cI travel a lot.\u201d And yet you immediately understand that he has never travelled. He says: \u201cTo keep in touch.\u201d And yet you see that he doesn\u2019t speak English, but rather French through English words. Gaston Talbot never stops starting over, constantly correcting and revising what he has to say about himself, his mother, his troubled childhood games with Pierre Gagnon, not to mention the disturbing dream from which he emerged, after years of silence, speaking English. Little by little, Gaston Talbot sucks you into his downward spiral where the constantly whirling truth takes you over the edge.<\/p>\n

Originally performed by Jean-Louis Millette, this classic monologue thundered onto the scene when it was created in 1995. Claude Poissant is now revisiting this \u201cpsychological striptease\u201d, this time for five separate actors. Breathtaking.<\/p>\n

http:\/\/seizieme.ca\/the-dragonfly-of-chicoutimi-2\/?lang=en<\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

\u00c9tienne Pilon, Dany Boudreault, Patrice Dubois and Mani Soleymanlou \u00a9 Danny Taillon The most audacious element is having given five actors, five bodies, and five voices, the story of the wounded hero. Abrasive, efficient, this audacious production fleshes out the different aspects of the main character, his changing states, and the conflicts that move him … Continue reading “Theatre”<\/span><\/a><\/p>\n","protected":false},"author":2191,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[29,20],"tags":[],"_links":{"self":[{"href":"https:\/\/blogs.sd41.bc.ca\/moscrop-french\/wp-json\/wp\/v2\/posts\/554"}],"collection":[{"href":"https:\/\/blogs.sd41.bc.ca\/moscrop-french\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.sd41.bc.ca\/moscrop-french\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.sd41.bc.ca\/moscrop-french\/wp-json\/wp\/v2\/users\/2191"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.sd41.bc.ca\/moscrop-french\/wp-json\/wp\/v2\/comments?post=554"}],"version-history":[{"count":1,"href":"https:\/\/blogs.sd41.bc.ca\/moscrop-french\/wp-json\/wp\/v2\/posts\/554\/revisions"}],"predecessor-version":[{"id":555,"href":"https:\/\/blogs.sd41.bc.ca\/moscrop-french\/wp-json\/wp\/v2\/posts\/554\/revisions\/555"}],"wp:attachment":[{"href":"https:\/\/blogs.sd41.bc.ca\/moscrop-french\/wp-json\/wp\/v2\/media?parent=554"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.sd41.bc.ca\/moscrop-french\/wp-json\/wp\/v2\/categories?post=554"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.sd41.bc.ca\/moscrop-french\/wp-json\/wp\/v2\/tags?post=554"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}